An Interview with Scott Oden: Author of Lion of Cairo
Apr
27, 2011 |Filed in:
UncategorizedA |
| Photo Credit: (c) Marcia DeFiore |
Many thanks to Scott Oden for speaking with me today. If you read my review on Monday, you know Scott Oden is the author of “The Lion of Cairo.” He’s also written “Men of Bronze” and “Memnon,” both of which are historical. “Lion of Cairo” is an historical fantasy.
1. Your opening scene in “Lion of Cairo” is the fight where Assad wins a special weapon. I can’t talk much about Assad without discussing this knife, so I hope you forgive the spoiler to the readers. Where did you get the idea of a djinn-possessed knife? (If that is, in fact, what’s within the blade.)
Assad’s knife — and ‘knife’ is something of a misnomer: the salawar, or Khyber knife, is roughly the same length as the Roman gladius — was inspired by Michal Moorcock’s devilish sword, Stormbringer, and the One Ring from Tolkien. It’s not a djinn in the blade, precisely, but something a bit more sinister. I hope to delve deeper into the blade’s history in the sequel to The Lion of Cairo, called The Damascene Blade.
Woo hoo!
Woo hoo!
2. This is the first novel of yours I’ve read, but on your blog you cross back and forth between Orc-strewn fantasy and history. Is this your first foray into historical fantasy? Will there be other stories in this or other settings?
This is my first journey into fantasy, historical or otherwise. My first two books, Men of Bronze (2005) and Memnon (2006) were straight-up historical fiction, but I’ve always had a desire to write sword-and-sorcery in the vein of Robert E. Howard. That’s how Lion was brought into being: to answer the question of “how can I make Assassins cool?” The setting of The Lion of Cairo is only quasi-historical. It draws on three distinct time periods: Egypt of the Pharaohs, the early Fatimid Caliphate, and the Mameluke period. There are a handful of historical figures (Shirkuh, his nephew Yusuf ibn Ayyub, and King Amalric of Jerusalem), though I’ve distorted them somewhat by depicting them as seen through the lens of the 1930s pulps. Everything else is pure fantasy.
The Lion of Cairo is the first in a trilogy that will chronicle the fight between the indomitable Emir of the Knife, Assad, and his nemesis, the necromancer Ibn Sharr. And there’s going to be a novel about Orcs in the near future!
3. Assuming there will be other stories, will the reader ever see other fantasy elements creep in?
The sequels to The Lion of Cairo will have a great many fantasy elements: dark gods, ancient Egyptian magic, Medieval sorcery, djinn . . . everything you’d expect from a sword-and-sorcery tale infused with an Arabian Nights aesthetic. The Orc novel, which I’m plotting as we speak, is going to take a mythological look at everyone’s favorite foot soldiers of evil.
4. I’m always fascinated by other writers’ creative processes and you mention RPGs (Role Playing Games to the uninitiated reader) on your blog. Do you use RPG modules to help you in world-creation? If so, how does it help you, or do you do it for fun?
I rarely use RPG sessions for anything but a fun way to interact with friends and participate in a shared fantasy experience. I’m no great shakes as a world-builder, which is why I tend to pillage history for my plots, settings, etc. I discovered early on that a place-name like “Thebes” or “Alexandria” comes with a pre-existing sense of weight, of gravitas that’s hard to manufacture. Tolkien was able to perform the same feat with his secondary world creation through his implementation of exhaustive histories; REH did it by plundering historical sources.
One thing I’d love to do inside the framework of a RPG is to create a rigorously historical ancient Greek simulation — characters would portray Athenian citizens during that city’s Golden Age, navigate the morass of politics, back-stabbing, and double-crossing to make a name for themselves. I’m reticent to undertake the project, however, because it has such a narrow focus and no fantastical elements.
5. What sparks your creativity and keeps you going?
I find endless inspiration in the overlooked corners of history. I believe as Robert E. Howard believed: there’s enough blood and thunder on every page of history to fill a lifetime’s worth of novels. There is nothing quite so fulfilling to me as pouring over the works of ancient authors like Herodotus or Plutarch and finding a phrase or situation that piques my interest – that gets the creative juices flowing. Even my fantasy has its genesis in the pages of history.
As to what keeps me going . . . it is the sometimes Quixotic desire to see what’s around the next bend, over the next hill, or on the next page. I can’t imagine NOT writing . . .
Thanks so much to Mr. Oden for this look inside his head and the creation of “Lion of Cairo.” If you’re interested in a free copy of “Lion of Cairo,” please leave a comment here. I will have a drawing on Sunday evening and it will be open world-wide.
Great interview, Vicki! I hadn't heard of Mr. Oden's works, but they sound fascinating. Something sinister hiding in a sword with the promise of all kinds of fantastical characters showing up? Sounds like my kind of read.
And I love the idea of using history to create literature. History absolutely fascinates me.
Thanks, Janet! This was such an engrossing read, I can't wait for the next one in the series and I usually hate series! LOL How was Paris? I assume this means you're back. 🙂
Great review and interview, Victoria. Scott, I'm always amazed by the inventive minds of fantasy writers. It must be a huge challenge to create a world to which your reader has no frame of reference, and still make it so believable it all seems natural. I'll have to give your books a try. Continued success with the Ron series.
great interview. Lion of Cairo sounds brilliant. My kind of book.
(and yay for your links working again)
Mr. Oden, I love what you said about your fantasy beginning from history. And what you said about the desire to see what is around the bend, or on the next page? I can relate to that feeling.
Great interview, Victoria!
Kaki and Marne, thanks so much for dropping by! I really appreciate it.
Lynda, they're working mostly because of you! Thanks again!
Great interview. I love learning where other fantasy writers get their inspiration. Great questions.
Thanks, Natalie! It's good to know I don't come across as a complete idiot. (Sometimes I feel like such a neophyte!)
Great interview. The Lion of Cairo sounds wonderful.
Thanks, Rachna!
Thanks all, and thank you, Victoria! I'm in North Alabama and have been without power/internet since Wednesday evening. Now, I at least can write with some authority about the Dark Ages 🙂
OMG, ya know I knew you were down there, but it didn't connect in my brain. I hope you and yours are otherwise ok!
Thanks so much for all your great information. Congratulations on a fabulous website! It’s a great resource. Throwing Knives